After twenty-eight years of drawing, playing video games, drumming,
and designing information systems, Reas' nascent talent for writing
software forged these disparate interests into a new direction while
a graduate student and researcher at MIT.
Reas currently teaches in the Design | Media Arts department at
UCLA. His classes provide a foundation for thinking about computers
as a medium for artistic exploration and set a structure for advanced
inquiry into culture, technology, and aesthetics.
As an artist, Reas employs ideas explored in conceptual and minimal
artworks as focused through the contemporary lens of software. With
Ben Fry, Reas creates Processing, a programming language and environment
for people who want to program images, animation, and sound.
Dr. Peter J. Bentley is a Senior Research Fellow and College Teacher
at the Department of Computer Science, University College London
(UCL), Collaborating Professor at the Korean Advanced Institute
for Science and Technology (KAIST) and Visiting Research Fellow
of the University of Kent.
Peter runs the Digital
Biology Interest Group at UCL and is known for his prolific
research covering all aspects of Evolutionary Computation and Digital
Biology. His research investigates evolutionary algorithms, computational
development, artificial immune systems, swarming systems and other
complex systems, applied to diverse applications including design,
control, novel robotics, nanotechnology, fraud detection, security,
art, and music composition.
Peter regularly gives plenary speeches at international conferences
and is a consultant, convenor, chair and reviewer for workshops,
conferences, journals and books in the field of evolutionary computation.
He is editor of the books "Evolutionary Design by Computers",
"Creative Evolutionary Systems" and "On Growth, Form
and Computers", and author of the popular science book "Digital
Biology".
Professor, School of Letters, Arts and Sciences, Waseda University
Visiting Professor, Dept. Design|Media Arts, UCLA
(Photo by Bill Seaman)
Machiko Kusahara is a scholar in media art and theory, who has been
publishing and curating in the interdisciplinary field connecting
art, science, technology, culture, and history. Since her involvement
in the field of computer graphics in early 1980s she published many
texts internationally on digital media and culture, co-authoring
books such as The Robot in the Garden (MIT Pres), Art&Science
(Springer) among many others.
Kusahara curated many exhibitions and helped launching venues such
as Tokyo Metropolitan Museum of Photography and NTT/Intercommunication
Center (ICC) in Tokyo. She has served as a jury for major media
art competitions including LIFE, SIGGRAPH, Ars Electronica, and
ISEA. She has been the chief jury for the Art Division of the Japan
Media Arts Festival since 2003. Her recent research focuses on analyzing
notion of life and reality in digital era in relation to Japanese
cultural background, to make a creative use of media technology
in the society.